玛丽玛丽血玛丽

类型：电影 剧情,悬疑,惊悚  地区：墨西哥,美国  年份：1978  热度： ℃

导演：Juan López Moctezuma 

主演： Cristina Ferrare David Young John Carradine

更新：2025-08-15 11:04:14

简介： 《玛丽玛丽血玛丽》是一部上映于1978 年，集剧情,悬疑,惊悚等类型元素的电影。由Juan López Moctezuma执导。该电影集齐了Cristina Ferrare,David Young,John Carradine 等一众大咖，是一部未上映就已经拉满了期待值的电影。该影片自上映之上映至今，已经获得了不错的口碑，这是一部非常受欢迎的电影。 墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 A beautifull artistmoonlights as a vampire while in Mexico， killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father， who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her fathertry to come between Ferrare and her next target's neck in this horrifying shockfest. Juan Lopez Moctezuma's MARY， MARY， BLOODY MARYis one of those movies you watch and， after mentally cataloging all the things wrong with it， realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress， as stiff as a celluloid collar， and yet she does create one of cinema's most interesting vampires. In many ways， Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly， her next victimnearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. Elsewhere， Mary proves herself a complete chicken shit in moments of tension， as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose， emotionally withdrawn， sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production， the harsh 70s decor， the cold， perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. MARY， MARY， BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTINa year later but portraying vampires as just folks is definitely the horror road not taken. 详情