玫瑰海

类型：电影 剧情,喜剧  地区：巴西  年份：1977  热度： ℃

导演：Ana Carolina 

主演： 诺尔玛·本格尔 Otávio Augusto Myrian Muniz 克里斯蒂娜·佩雷拉

更新：2025-01-22 00:24:53

简介： 《玫瑰海》是一部上映于1977 年，集剧情,喜剧等类型元素的电影。由Ana Carolina执导。该电影集齐了诺尔玛·本格尔,Otávio Augusto,Myrian Muniz,克里斯蒂娜·佩雷拉 等一众大咖，是一部未上映就已经拉满了期待值的电影。该影片自上映之上映至今，已经获得了不错的口碑，这是一部非常受欢迎的电影。 巴西影史最佳超现实主义电影之一，与Joaquim Pedro de Andrade的不相上下，更值得一提的是这么NB的无政府主义电影居然出自一个女导演之手，那个时代巴西的女导演还真不多见，Ana Carolina属于巴西新浪潮一代中的特例了，此片又是由我最爱的巴西女星Norma Bengell主演的。找这片已经很久了，今日终于拿到。。。：D http：//www.ejumpcut.org/archive/onlinessays/JC22folder/BrazilFilmUpdate.html Anarchist film with surrealistic touches， fine actors and delightfully wacky dialog.A Weird and Surrealistic Dramatic Story. Ana Carolina surprised everybody when， after many documentary shorts and a hit documentary feature about Brazilian dictator Getúlio Vargas， she jumped into anarchist， surrealist crazy drama/black comedy with her first fiction film "Mar de Rosas". A non-sequitur， iconoclast portrait of middle-class family life， her protagonist Betinhais a sort of teenage Mafalda： rambunctious， naughty， irrepressible， eager to be evil. She's on the run with her mother Felicidade， who has killed husband Sergioin a hotel bathroom. Betinha and Felicidade are followed by suspicious character Bardiand， after terrible "accidents" -- Betinha sets fire on her mother at a gas station， Felicidade is hit by a bus while trying to escape from Bardi -- the 3 of them end up being "helped" by wacky couple Dirceuand Niobi. "Mar de Rosas" has some major lullsand is technically precarious， but the acting is inspired and， despite being ultimately a tragic film， you'll find yourself cracking with the loony dialog which is rather difficult to translate， as Ana Carolina uses a lot of Brazilian jeux de mots， adages and figures of speech in her trademark style of "free association". "Mar de Rosas" is refreshingly anti-cliché， and its critical and commercial success paved the way to Ana Carolina's very individual oeuvre that combines anti- conformism， feminism and social criticism with a delightful touch of surrealistichumor. The antagonism portrayed in this explosive black comedy makes a dysfunctional family seem like the Brady bunch. Director Ana Carolina has her leads play it straight， allowing the absurdity of their situations to speak for itself. Felicidadehas just slashed her husband with a razor blade in a violent argument， and she and her offensive daughterrun away together. They are caught by Orlandewho was sent out after them by the injured husband. Instead of bringing them back， Orlande takes off with them and a series of misadventures results. Long periods of dialogue are well-written and maintain interest in this maladjusted trio. 详情